Kristin Chenoweth defends Sean Hayes against homophobic criticism

In the April issue of The Advocate, Sean Hayes finally came out of the closet officially. Sean never played closet games, but he did steadfastly refuse to answer questions about his sexuality for many years, claiming that he didn’t want to limit his choices as an actor, or limit the audience’s view of him and the characters he could play. Sean did the Advocate interview as promotion for his role in the Broadway musical Promises, Promises, in which he plays the (hetero) romantic lead opposite Kristin Chenoweth. Well, Promises, Promises premiered, and this was enough to set off a Newsweek culture critic named Ramin Setoodeh – who is gay, HuffPo points out – on some kind of crazy tangent about gay actors playing it straight, and how much they suck at it. No pun intended? Eh. FYI: The full piece is here, I’m just going to edit down the relevant portions – and many are already calling this one of the most homophobic mainstream journalism pieces in a long time:

The reviews for the Broadway revival of Promises, Promises were negative enough, even though most of the critics ignored the real problem—the big pink elephant in the room. The leading man of this musical-romantic comedy is supposed to be a single advertising peon named Chuck who is madly in love with a co-worker (Kristin Chenoweth). When the play opened on Broadway in 1968, Jerry Orbach, an actor with enough macho swagger to later fuel years and years of Law and Order, was the star.

The revival hands the lead over to Sean Hayes, best known as the queeny Jack on Will & Grace. Hayes is among Hollywood’s best verbal slapstickers, but his sexual orientation is part of who he is, and also part of his charm. (The fact that he only came out of the closet just before Promises was another one of those Ricky Martin-duh moments.) But frankly, it’s weird seeing Hayes play straight. He comes off as wooden and insincere, like he’s trying to hide something, which of course he is. Even the play’s most hilarious scene, when Chuck tries to pick up a drunk woman at a bar, devolves into unintentional camp. Is it funny because of all the ’60s-era one-liners, or because the woman is so drunk (and clueless) that she agrees to go home with a guy we all know is gay?

[The] truth is, openly gay actors still have reason to be scared. While it’s OK for straight actors to play gay (as Jake Gyllenhaal and Heath Ledger did in Brokeback Mountain), it’s rare for someone to pull off the trick in reverse… Last year, Rupert Everett caused a ruckus when he told the Guardian that gay actors should stay in the closet. “The fact is,” he said, “that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the … film business.” Is he just bitter or honest? Maybe both.

Most actors would tell you that the biographical details of their lives are beside the point. Except when they’re not. As viewers, we are molded by a society obsessed with dissecting sexuality, starting with the locker-room torture in junior high school.

This is admittedly a complicated issue for the gay community, though it is not, in fact, a uniquely gay problem. In the 1950s, the idea of “color-blind casting” became a reality, and the result is that today there’s nothing to stop Denzel Washington from playing the Walter Matthau role in the remake of The Taking of the Pelham 1-2-3. Jack Nicholson, by the force of his charm, makes you forget how he’s entirely too old to win Helen Hunt’s heart in As Good As It Gets. For gay actors, why should sexual orientation limit a gay actor’s choice of roles? The fact is, an actor’s background does affect how we see his or her performance—which is why the Tom Hankses and Denzels of the world guard their privacy carefully.

It’s not just a problem for someone like Hayes, who even tips off your grandmother’s gaydar. For all the beefy bravado that Rock Hudson projects on-screen, Pillow Talk dissolves into a farce when you know the likes of his true bedmates. (Just rewatch the scene where he’s wading around in a bubble bath by himself.) Lesbian actresses might have it easier—since straight men think it’s OK for them to kiss a girl and like it—but how many of them can you name? Cynthia Nixon was married to a man when she originated Miranda on Sex and the City. Kelly McGillis was straight when she steamed up Top Gun’s sheets, and Anne Heche went back to dating men (including her Men in Trees costar). If an actor of the stature of George Clooney came out of the closet tomorrow, would we still accept him as a heterosexual leading man? It’s hard to say. Or maybe not. Doesn’t it mean something that no openly gay actor like that exists?

[From Newsweek]

Is this homophobic? I would say yes, probably. But my first thought – knowing that Setoodeh is gay – was that he’s a self-loathing gay dude trying to make a f-cked up point in a really twisted, horrible way. I think he’s throwing the word “queen” around to be light and funny, but I winced every time because it came across like gay-on-gay hate speech. It’s as if Setoodeh’s original piece was called “Sean Hayes: Too F-ggy, Even For This Queen”. In any case, this whole Newsweek situation got even more coverage because Hayes’s costar and friend and Kristin Chenoweth wrote an open letter on Broadway.com defending Sean. Her full piece is here, and here are the highlights:

As a longtime fan of Newsweek and as the actress currently starring opposite the incredibly talented (and sexy!) Sean Hayes in the Broadway revival of Promises, Promises, I was shocked on many levels to see Newsweek publishing Ramin Setoodeh’s horrendously homophobic “Straight Jacket,” which argues that gay actors are simply unfit to play straight. From where I stand, on stage, with Hayes, every night — I’ve observed nothing “wooden” or “weird” in his performance, nor have I noticed the seemingly unwieldy presence of a “pink elephant” in the Broadway Theater. (The Drama League, Outer Critics Circle and Tony members must have also missed that large animal when nominating Hayes’ performance for its highest honors this year.)

I’d normally keep silent on such matters and write such small-minded viewpoints off as perhaps a blip in common sense. But the offense I take to this article, and your decision to publish it, is not really even related to my profession or my work with Hayes or Jonathan Groff (also singled out in the article as too “queeny” to play “straight.”)

This article offends me because I am a human being, a woman and a Christian. For example, there was a time when Jewish actors had to change their names because anti-Semites thought no Jew could convincingly play Gentile. Setoodeh even goes so far as to justify his knee-jerk homophobic reaction to gay actors by accepting and endorsing that “as viewers, we are molded by a society obsessed with dissecting sexuality, starting with the locker room torture in junior high school.” Really? We want to maintain and proliferate the same kind of bullying that makes children cry and in some recent cases have even taken their own lives? That’s so sad, Newsweek! The examples he provides (what scientists call “selection bias”) to prove his “gays can’t play straight” hypothesis are sloppy in my opinion. Come on now!

[Thousands] of people have traveled from all over the world to enjoy Hayes’ performance and don’t seem to have one single issue with his sexuality! They have no problem buying him as a love-torn heterosexual man. Audiences aren’t giving a darn about who a person is sleeping with or his personal life. Give me a break! We’re actors first, whether we’re playing prostitutes, baseball players, or the Lion King. Audiences come to theater to go on a journey. It’s a character and it’s called acting, and I’d put Hayes and his brilliance up there with some of the greatest actors period.

Lastly, as someone who’s been proudly advocating for equal rights and supporting GLBT causes for as long as I can remember, I know how much it means to young people struggling with their sexuality to see out & proud actors like Sean Hayes, Jonathan Groff, Neil Patrick Harris and Cynthia Nixon succeeding in their work without having to keep their sexuality a secret. No one needs to see a bigoted, factually inaccurate article that tells people who deviate from heterosexual norms that they can’t be open about who they are and still achieve their dreams. I am told on good authority that Mr. Setoodeh is a gay man himself and I would hope, as the author of this article, he would at least understand that. I encourage Newsweek to embrace stories which promote acceptance, love, unity and singing and dancing for all!

–Kristin Chenoweth

[From Chenowith’s open letter published in Broadway.com]

Ah, I love Kristin Chenoweth. I like that she identifies herself as a Christian and a GLBT advocate, and honestly, the GLBT community needs more people like her as their advocates and ambassadors to the “straight” world. As far as the larger argument about gay actors playing straight characters – I know there are some people who really care about it one way or the other, but when you’ve got a truly gifted actor, it really doesn’t matter. I absolutely hated Setoodeh’s example of Rock Hudson – have you ever gone back and watched one of those old Rock Hudson and Doris Day movies? They’re really good! They were two actors who had a lot of chemistry and love for each other, and you could tell how much fun they were having together in every single scene of their movies. And my guess is that it’s exactly the same for Kristin and Sean – who cares if he’s going home to his boyfriend? Does that mean he can’t have chemistry with another actor?

ncG1vNJzZmivp6x7pLHLnpmirJOdxm%2BvzqZmamhgbIJ3e8qroKysmaOspLTEp6awnaSdrKWxxZ6lnauPqLKiur6hmLKdo5SuqK3Ip6qtl5ikurC8x6iZopuPmL%2BqwMicoKylXw%3D%3D